Emily Hunt
Rod Puppet (Ithell Colquhoun), 2025
glazed ceramic with gold lustre, fabric, oak, beads, sequins, artificial hair wig
63 × 12 cm (24¾ × 4¾ in)
There are artists who bide their time, waiting for the world to receive their work. During the ups and downs of a creative career, few artists can work with such...
There are artists who bide their time, waiting for the world to receive their work. During the ups and downs of a creative career, few artists can work with such conviction. Ithell Colquhoun was steadfast, with a devotion to practice that was magical and singular.
Colquhoun’s practice in ceremonial magick, her writings about Cornwall and Celtic lore and her experiments in automatic surrealist processes created a maelstrom of creative genius that is exciting to receive. But her work was also a magical operation. The work she left behind, is a creative battery that continues to operate on audiences, with its sheer beauty and magical undertones.
Colquhoun’s practice in ceremonial magick, her writings about Cornwall and Celtic lore and her experiments in automatic surrealist processes created a maelstrom of creative genius that is exciting to receive. But her work was also a magical operation. The work she left behind, is a creative battery that continues to operate on audiences, with its sheer beauty and magical undertones.