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Emily Hunt

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Open a larger version of the following image in a popup: Emily Hunt, Photosynthesis Glasses, 2022
Open a larger version of the following image in a popup: Emily Hunt, Photosynthesis Glasses, 2022
Open a larger version of the following image in a popup: Emily Hunt, Photosynthesis Glasses, 2022
Open a larger version of the following image in a popup: Emily Hunt, Photosynthesis Glasses, 2022

Emily Hunt

Photosynthesis Glasses, 2022
glazed ceramic with gold lustre
19 × 25 × 25 cm (7 ½ × 9 ⅞ × 9 ⅞ in)
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Further images

  • (View a larger image of thumbnail 1 ) Emily Hunt, Bibliothek der Träume, 2023
  • (View a larger image of thumbnail 2 ) Emily Hunt, Bibliothek der Träume, 2023
  • (View a larger image of thumbnail 3 ) Emily Hunt, Bibliothek der Träume, 2023
  • (View a larger image of thumbnail 4 ) Emily Hunt, Bibliothek der Träume, 2023
Microscopic forms play a role in these glasses. The symbols and forms on these glasses are of DNA structures, cells divding and tiny forms. If you put these glasses on,...
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Microscopic forms play a role in these glasses. The symbols and forms on these glasses are of DNA structures, cells divding and tiny forms. If you put these glasses on, you will see the world teeming with the miniscule monsters and symbols in nature.

I often use the symbol or form of “sunglasses” as a vehicle for seeing into the other side.

The artist’s ability to create new beings, or worlds is quite profound. Perhaps all artists are like Crystal Radios, tuning in. Automatism is never spoken about in terms relating to clay,or working with clay, only painting and writing. Although, automatism can be most direct when creating figures with clay, as the clay leads. The clay wants to become something, it was a will power.
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